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五四之后,众多“侨寓”青年涌入初立的新文坛,有关这个群体写作、阅读生活的呈现,一时间非常多见。鲁迅的小说《幸福的家庭》,就描写了一个青年作者,向壁虚构,为了捞几文稿费,要“硬写”一篇题为“幸福的家庭”的小说的故事。作品的讽刺性,源于构思中的“幸福的家庭”与真实家庭场景的不断对照,而“硬写而不能”的过程,也暗中颠覆了小说开头预设的“幸福的写作”理念,即由这位青年作者说出的:
After the May Fourth Movement, a large number of “overseas Chinese” youths poured into the newly established new literary arena. The presentation of this group’s writing and reading life is very common at a time. Lu Xun’s novel The Happy Family describes the story of a young author who is fictional to the wall and a writer entitled “Happy Family” in order to earn a few contributions. The irony of the work stems from the constant contrast between the “happy family” in the conception and the scene of the real family, and the process of “hard-writing can not” can also subvert the prefixed “happiness Writing ”concept, that is, the young author said: