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艺术创作反映着艺术家所处的时代,油画创作中的风景绘画尤为如此,它纪录了一定时间一定地域的特殊风貌。随着两次工业革命的完成,钢铁、水泥建筑的耸起,“城市”面积的不断扩张,“城市”成为了人类重要的生活空间。“城市”不是一成不变的,在我们这个高速发展的国家“城市”的变化尤为明显。风景绘画除了以祖国的大好河山与田园风光为题材,也必然会关注于当下的城市,“城市风景”、“工业风景”在近十年的油画风景创作中不断显现出来。而“老城区”作为城市新陈代谢的产物,具备着独特的风貌和人文内涵,值得在油画创作中作为题材进行探索。
The artistic creation reflects the era in which the artist lived, especially the landscape painting in the oil painting creation. It records the special style of a certain area for a certain period of time. With the completion of the two industrial revolutions, the rise of steel and cement buildings and the continuous expansion of the “city” area have made “city” an important living space for human beings. “City ” is not immutable, especially in our “fast-growing” cities such as China. Landscape painting in addition to the magnificent rivers and mountains and pastoral scenery of the motherland as the theme, but also will inevitably focus on the current city, “cityscape ”, “industrial landscape ” in the past ten years of oil painting landscape creation continue to emerge. As the product of the city’s metabolism, “Old City ” possesses unique style and humanistic connotation, which is worth exploring in the oil painting creation as the theme.