论文部分内容阅读
对于台上无病呻吟,台下山呼海啸的现代舞台,我是有多远躲多远。我根本听不清那些扭捏作态、面目模糊的歌手在唱什么。所以在民工版的《春天里》出来之
For the stage of moan groan, the audience call the modern stage of the tsunami, how far I have to hide. I could not even hear the tumultuous and vaguely singer singing. So in the migrant workers version of “spring” came out