在关于“后现代主义作家名单”的圈定中,批评家理论家们的争论与分歧往往是极大的。这是宏观描述与微观把握之间无法克服的矛盾之一。但一个引人注目的现象是:法国“新小说”的代表性作家却几乎无争议地被罗列其中。比如罗伯-格里耶(1922-)。又如克罗德·西蒙(1913-)。作为“新小说”大师之一的西蒙,早在1957年的小说《风》中已显示了他的“先锋”性—— In the delineation of the list of postmodern writers, the arguments and disagreements of critics and theoreticians are often enormous. This is one of the contradictions that can not be overcome between macro description and micro-control. But one notable phenomenon is that the representative writers of French “new novels” are listed almost without controversy. Such as Rob - Gerry (1922-). Another example is Claude Simon (1913-). Simon, one of the “new novels” masters, has shown his “pioneer” nature as early as the 1957 novel “The Winds”