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在双年展都企图“走向世界”的潮流中,台北双年展在大多数时候及时反思。紧跟“国际化”的主流又显得独树一帜。9月13日,以“剧烈加速度——人类世的艺术”为主题的2014台北双年展迎来开幕。由于艺术生态环境的诸多不同,在国内,台北双年展并不如上海双年展和曾经的广州三年展那般风生水起,但这也不能说明它在大陆没有影响力。不同于大陆的文化走向以及多元的文化政策,让台北双年展具备了足够敏锐的艺坛风向感和独特的发展空间。台湾双年展之所以能够在众多双年展中独树一帜,除了“抽象又晦涩”的主题造成的假象,台湾相对独立且精英主义的地缘文化,
At the Biennale’s attempt to “go global,” the Taipei Biennale reflects most of the time. Followed the “international ” the mainstream has become unique. On September 13, the 2014 Taipei Biennale opened with the theme of “Dramatic acceleration - Art of Humankind”. Due to the many differences in the artistic environment, the Taipei Biennale is not as popular as the Shanghai Biennale and the former Guangzhou Triennial in China. However, this does not mean it has no influence on the mainland. Different from the mainland’s cultural orientation and diverse cultural policies, Taipei Biennale possesses a keen sense of style and a unique space for development. The reason why the Taiwan Biennale can be unique in many biennials is that the illusion created by the theme of “abstract and obscure”, Taiwan’s relatively independent and elitist geo-culture,