蔡邕的《青衣赋》不同于传统的“神女”、“美人”之作 ,具有明显的写实成分 ,应该是作者亲身经历的一段爱情生活的真实记录 ,这是赋史上第一篇直接描写男女爱情的作品。《青衣赋》的产生 ,显示出汉末赋作由雅入俗的发展变化 ,典型地反映出乐府曲辞对赋的创作的影响 ,是赋的诗化倾向的重要标志。《青衣赋》不仅是蔡邕赋作中最富创造性的作品 ,而且也是汉末抒情小赋中最具代表性的作品之一 Unlike the traditional “goddess” and “beauty”, Cai Yong’s “Qing Yi Fu” has obvious realistic elements and should be the true record of a love life that the author has personally experienced. This is the first direct description of the history of men and women Love works. The emergence of “Tsing Yi Fu” shows that the end of the Han Dynasty was endowed with the development of elegance and customs, which typically reflects the influence of the Yuefu songs on the creation of Fu. It is an important symbol of Fu’s poetic tendency. “Tsing Yi Fu” is not only one of the most creative works by Cai Yong, but also one of the most representative works of lyricism in the late Han Dynasty