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“经济衰退背景下,CIGE以博览会的名义赞助了坚持战斗的艺术家,从而也迂回地赞助了苦苦支撑的画廊家。十多个成名艺术家手稿个展和二十多个活跃艺术家新作个展几乎获得免费场地展出,构成了CIGE对中国国内博览会策展机制与经营方式一次逆袭式的改革。机制创新使2015CIGE展览的整体面貌为之一新,参展作品质量也得以整体提升。CIGE今年的变身给发展中国家的艺术博览会的差异化发展提供了崭新经验。艺术博览会是当代艺术生产方式的宠儿。当代艺术展示了这个危机
”In the context of the economic recession, CIGE sponsored the insistent artists in the name of the Expo and thus roundly sponsored the painterly support galleries .A solo exhibition of more than a dozen renowned artist manuscript solo exhibitions and more than 20 active artists was almost obtained The free venue display constitutes a counter-insurgent reform of CIGE’s curatorial mechanism and mode of operation for China’s domestic expo. The innovation of the mechanism made the overall appearance of 2015CIGE one of the new exhibitions and the quality of exhibitors’ works improved as a whole. Provides a brand new experience for the differentiated development of art fairs in developing countries. Art fairs are the darling of contemporary art production. Contemporary art shows the crisis