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城市写作是近年来热议的话题。什么是真正的城市写作?有没有一种新城市文学正在诞生?本文以当代作家邓一光的“深圳系列”短篇小说为范本,从三个方面进行分析:一是通过其小说中的“野兽”形象来讨论城市文学自我想象的方式;二是通过对深圳书写的辨析指出城市文学应该超越具体的城市想象而进入到人性的内部精神景深。最后,本文指出新的城市文学应该是在历史化的纵深景观中书写当代中国人的命运、挣扎和救赎,并拒绝一种以温暖、疗愈为美学旨趣的伪城市写作。
Urban writing is hot topic in recent years. What is a true urban writing? Is there any kind of new urban literature being born? This article takes the contemporary writer Deng Yiguang ’s “Shenzhen series ” short stories as a template, from three aspects: First, through his novel Beast "to discuss the way of self-imagination of urban literature. Second, through the analysis of Shenzhen writing, it points out that urban literature should go beyond the concrete imagination of the city and enter into the inner spiritual depth of human nature. Finally, this paper points out that the new urban literature should write the destiny, struggle and redemption of contemporary Chinese people in the historic landscape, and refuse to write a fake city that is warm and healing aesthetically.