歌德的《浮士德》是表现“古典性”与“现代性”矛盾统一的集大成之作,“浮士德”不仅是欧洲知识分子的经典原型,在哲学上也成为“现代性”的代名词。不论是文学还是电影改编,“浮士德”形象都体现出“现代性”的发展、传承以及在不同历史阶段的流变。而俄罗斯哲学电影的精神传承者索科洛夫更是运用电影手段,为欧洲知识分子的精神困境寻求哲学路径,让《浮士德》改编具备了重要的当下意义。 Goethe’s Faust is a masterpiece of the contradiction and unity of “classical” and “modernity,” and “Faust” is not only the classical prototype of European intellectuals, but also becomes philosophically “Modernity ” synonymous. Whether literary or film adaptation, the image of “Faust” embodies the development, inheritance and the evolution of “modernity” in different stages of history. Sokolov, the spiritual successor of the Russian philosophical film, also used the cinematic means to seek a philosophical approach to the spiritual predicament of the European intellectuals. It is of great significance for the adaptation of Faust.