当一本杂志周期性的运作:策划、组织、编辑……已成为工作的常规,似乎“回顾”已成为某个时间节点的保留剧目,杂志只是在提供一个上演的舞台。然而一本杂志只能作为载体和中介存在吗?在今日知识生产与自我组织的过程中,它是否能有所贡献?回顾一年以来《当代艺术与投资》的历次“注目”专题,对上述问题的回应一直是贯穿其中的努力方向。 When a magazine works cyclically: planning, organizing, editing ... has become the norm of work, it seems “review” has become a reserved act for some time, and the magazine is just providing a staged stage. However, can a magazine exist only as a carrier and intermediary? Can it contribute to the production and self-organization of knowledge today? Recalling the previous “attention” topics of “contemporary art and investment” in the past year, The response to the above questions has always been the direction of efforts throughout the process.