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马拉美的诗歌从对波德莱尔二元对立的诗歌美学思想的反叛开始,不断探索诗歌的本质,词语在诗歌中的作用被诗人从不同的角度反复提及。马拉美对诗歌语言的召唤功能的探索从另一个侧面继承和发展了波德莱尔的应和论;他对虚幻的审美对象的挖掘更有深刻的文化内涵,也符合他的诗歌创作思想;马拉美把词语在诗歌中的功能推向了极致,他主张词语要摆脱诗人的枷锁,诗人必须在诗歌中死亡,词语因此才会摆脱理性的话语模式,在诗歌中获得独立的地位。
Starting from the rebellion against the Baudelaire binary antithesis of aesthetics of poetry, Ma Latin American poetry constantly explores the essence of poetry and the role of words in poetry is repeatedly mentioned by poets from different perspectives. His exploration of the summoning function of poetic language from another side inherits and develops Baudelaire’s theory of conformity and development. His excavation of the illusionary aesthetic objects has more profound cultural connotations and is consistent with his poetic creation thought. He advocated that words should get rid of the shackles of poets, that poets must die in poetry, and therefore words should get rid of the mode of rational discourse and obtain their independent status in poetry.