在成都西郊,有一座五代时期(公元10世纪)前蜀国君主王建的墓葬。墓中寝台基础上,镌有24幅乐舞石刻图像,是考据前蜀歌舞音乐的重要史迹。其中,有两幅为舞人,长袖轻拂,作举足踏节的姿态;其余22幅为坐部伎演乐的场面,分别操弄着琵琶、箜篌、筝、笙、排箫、笛、篪、筚篥、贝、叶、铜跋、拍板、羯鼓、腰鼓、鼗鼓等多种不同的乐器。从这里,不仅能了解到当时的常用乐器的类别,而且也可以基本了解到当时宫庭乐队的形制,对研究我国唐代以后的音乐 In the western suburbs of Chengdu, there is a tomb of Wang Jian, a former monarch of Shu Dynasty, during the Five Dynasties period (10th century AD). On the basis of the tomb in the tomb, engraved with 24 music and dance stone carving images, is an important historic site of song and dance music. Among them, there are two dancers, long-sleeved flirting, holding up a full-foot gesture; the other 22 are sitting on the scene of the performance trick, respectively manipulating the pipa, 箜 篌, zheng, Sheng, pan flute, flute , Chi, 筚 篥, shellfish, leaves, copper Postscript, clapboard, 鼓 drum, waist drum, 鼗 drum and many other instruments. From here, not only can we understand the types of commonly used instruments at that time, but also can basically understand the shape of the court band at that time and study the music after the Tang Dynasty in our country