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音乐作为一种以声音为表现媒介的载体的艺术形式,构成人们共同体的一种精神文化事象。因此,在学习任何一个民族的音乐时,我们为能只了解声音的物理性质,还必须研究这一人们的共同体是用何种概念去规范其本民族音乐中的声音的性质,即属于这一文化的人们在其文化背景的制约下,对本民族音乐文化中的声音是如何看待和如何认识的。笔者认为,这是理解和研究每一个特定民族的音乐文化的关键问题之一。如在西洋古典音乐的基本理论中便规定,音乐中的每一个乐音都应当有固定的高度。如a~1=440HZ,c~1=256HZ等,同时它还规定音乐中的每一个乐音和休止,都应当有固定的长度,即时值。如在四分音符为一拍,每分钟60拍的条件下,每个四分音符为一拍,每分钟60拍的条件下,每个四分音符的时值为一秒,八分音符的时值为1/2秒,十六分音符的时值为1/4秒,等
Music, as a form of art in which sound is the carrier of media, constitutes a spiritual and cultural phenomenon of people’s community. Therefore, when we study the music of any nation, we must understand the nature of the sound in terms of the physical nature of the sound. We must also study the nature of what the community of people is using to regulate the sound in its own national music. Under the constraints of their cultural background, people of culture regard and understand how the voices in this national music culture are perceived. In my opinion, this is one of the key issues for understanding and studying the music culture of each particular nation. As stated in the basic theory of Western classical music, every musical sound should have a fixed height. Such as a ~ 1 = 440HZ, c ~ 1 = 256HZ, etc., at the same time it also provides for music in each of the music and rest, should have a fixed length, instant value. If the quarter note is a beat, 60 beats per minute under the conditions of each quarter notes for a beat, 60 beats per minute under the conditions of each quarter note for one second, eighth notes Hour for 1/2 second, quarter-note for 1/4 second, and so on