听了王时的《第二弦乐四重奏》,我首先被它的结构吸引住了。比起他1981年写的那部四重奏来,这部作品显得更加完整而丰富,而这或许首先要归功于他对于结构的把握。这是一首无调性的作品,没有运用序列手法,但却借用了颇为古典的结构。从整体上看,它可以被认为是一个对称的复合三部曲式。 Listening to the king’s “second string quartet”, I was first attracted by its structure. Compared to the quartet he wrote in 1981, the piece appears to be more complete and rich, perhaps thanks, in the first place, to his grasp of the structure. This is an atonalistic work that does not use sequence techniques but borrows rather classical structures. As a whole, it can be thought of as a symmetrical compound trilogy.