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唐代诗人张若虚、包融、张旭、贺知章合称“吴中四士” ,其文学审美成就体现了吴美学是精英美学或精致性美学的根本特征。这是吴人审美心理结构的体现 ,又积淀到吴美学史中而代代相传。明代的“吴中四子”、清代狂士金圣叹正是这一美学史的延续性体现 ,从而呈露出吴地美学作为区域体美学的基本特征和主体心理结构 ,展示出中古以来吴地美的历程。
Tang poets Zhang Ruoxu, Bao Rong, Zhang Xu, He Zhizhang collectively referred to as “four of Wuzhong”, whose literary aesthetic achievement embodies Wu aesthetics is the basic characteristics of elite aesthetics or refined aesthetics. This is the embodiment of Wu’s aesthetic psychology structure, but also accumulated in the history of Wu Mei and handed down from generation to generation. The “Four Generations of Wuzhong” in the Ming Dynasty and Jin Shengtan, a madwoman in the Qing Dynasty, are the continuation of this aesthetic history, revealing Wu Aesthetics as the basic characteristic and the main psychological structure of regional aesthetics, showing that Wu Mida course.