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易卜生(1828—1906)是挪威文学和“社会问题剧”的创造者,欧洲现代戏剧的创始人。他是继莎士比亚、莫里哀之后的第三个戏剧高峰,有“现代戏剧之父”的美誉。《玩偶之家》是其公认的代表作,该剧提出了妇女问题。然而,在他晚期创作的另一个重要的剧本《野鸭》,以其深刻的哲理和注重对人物内心世界的表现,标志着他创作思想的转变。在创作《野鸭》以前,易卜生塑造了不少追求理想的人物,像《布朗德》中的布朗德、《人民公敌》中的斯多克芝医生、《玩偶之家》中的娜拉等。虽然他们都遭遇到重重困难,理想很难实现,但易卜生无疑对他们的行为、他们的精神是赞赏
Ibsen (1828-1906) is the founder of Norwegian literature and “social issues drama” and the founder of modern European drama. He is the third drama peak after Shakespeare and Moliere and has the reputation of “Father of Modern Drama”. “Doll’s House” is its recognized representative, the play raised the issue of women. However, another important script “Mallard” created by him later, with its deep philosophy and emphasis on the inner world of characters, symbolizes the transformation of his creative thinking. Ibsen created quite a few of the most sought-after figures before his creation of “Wild Duck,” such as Brand in Brand, Theodok Chi in The People’s Enemy, Nora in The Doll’s House, Wait. Although all of them are experiencing numerous difficulties, ideals are hard to come by, but Ibsen undoubtedly appreciated their actions and their spirits