圆霖法师一生勤于绘画,绘佛写像曲尽其妙,现存画作以万计。写景写境兼写意,圆霖法师的笔下的作品以绘制手法可分为工笔与写意,以写意为多,且随着岁数的增长,写意成为创作的基调。特别是晚年,法师眼睛有恙,视物困难,每日乃展纸挥毫笔耕不辍,完全相由心生,见者至今唏嘘不已。圆霖法师之所以在当代被认为是得道画僧,在于他从小的艺术蒙养与佛门出身,且毕身以画为伴,终日书 Master Wanlin life diligently in painting, painting the best of the best, the existing painting tens of thousands. Writing scenery and writing environment, the works of Master Yuan Lin’s works can be divided into the style of writing and freehand brushwork, to freehand brushwork, and as the age increases, freehand writing becomes the keynote of creation. Especially in his later years, the Master’s eyes were ailments and his eyes were hard on the matter. His daily work was nothing but plowing his eyes on paper. Yuan Lin Master reason is considered contemporary Taoist monk, is that he grew up with the Buddhist art and origin, and to work as a companion, all-day book