论文部分内容阅读
人类不仅夺回了他的权利,还重新占有了自然。那些河流、山脉和宏伟的风景,他们日复一日地经过那里,但在那一天,他们却发现:他们过去从未看过它们。——米什莱《法国革命史》学者大卫·伍德沃德指出在20世纪,特别是过去的十年中(60年代),绘制地图的本能被现代绘画自身演绎到令人吃惊的程度,例如错觉图形大师莫里茨·埃舍尔(M.C.Escher)、大地艺术家理查德·朗(Richard long)等许多艺术家,运用地图作为他们的创作主题或绘画的装饰。~([1])地图
Humans not only regained his rights, but also took possession of nature again. Day after day, those rivers, mountains, and magnificent landscapes passed, but on that day they discovered that they had never seen them in the past. --Michael Woodward, a scholar of the French Revolutionary History, points out that in the twentieth century, and especially in the last decade (the 1960s), the instinct of mapping was intrigued by modern painting itself to an alarming extent, Such as MCEscher, the illusionist guru, and Richard Long, a land artist, who use maps as decorations for their creative themes or paintings. ~ ([1]) map