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美国当代著名的悬疑、科幻作家丹·布朗,以知识性悬疑畅销小说而在文坛占据了一席之地。其代表作《达·芬奇密码》被视作悬疑小说史上一个里程碑式的作品,并在2006年被导演朗·霍华德搬上了大银幕。布朗还撰写了《天使与魔鬼》《骗局》《数字城堡》等小说,《天使与魔鬼》又一次被霍华德进行了电影改编。文章从认知活动的美学依赖、异在世界的美感创造、审美维度对功利维度的妥协三方面,分析丹·布朗小说电影改编中的审美维度。
The famous contemporary suspense in the United States, science fiction writer Dan Brown, occupies a place in the literary world with knowledgeable suspense and best-selling novels. His masterpiece “Da Vinci Code” is regarded as a milestone in the history of suspense novels, and in 2006 was directed by Long Howard onto the big screen. Brown also authored novels such as “Angels and Demons,” “Scam,” “Digital Castles,” and “Angels and Demons” were once again film-sculpted by Howard. The article analyzes the aesthetic dimension of Dan Brown ’s film adaptation from three aspects: the aesthetic dependence of cognitive activity, the aesthetic creation of different world, the compromise of aesthetic dimension and utility dimension.