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日前连续观摩了一些1996年以来出品的新一代韩国影片,受到颇大冲击,深感到革新后的韩国民族电影有股创新的活力/现代的气息/智慧的想象/隽永的内涵,欣喜地能摸到亚洲电影的希望。伊朗阿巴斯的影片似乎是:叫好、获奖,但并不叫座。而韩国导演们的当代影片却做到:艺术性与可看性双赢。北京电影学院举办的“韩国电影周”出现的空前盛况就是明证。千人剧院几乎场场爆满,连洋灰地台阶上都挤满了人。十几部影片
Recently, I watched a series of new generation Korean films produced since 1996 and suffered a great impact. I deeply felt that the innovative Korean national film has the innovative energy / modern flavor / wisdom imaginary / meaningful meaning of happiness. Hope to Asian film. Abbas, Iran’s film seems to be: applause, winning, but not popular. Contemporary films from Korean directors, however, do it: a win-win situation between artistry and viewability. The unprecedented grand occasion of “Korean Film Week” organized by Beijing Film Academy is proof. Thousands of theater almost full field, even the gray-gray steps are packed with people. More than a dozen videos