我们对历史的认识随着时代的发展而发展,我们在历史中了解古人,认识自己,我们自身所处的实际境遇帮助我们解读历史,说到底,这是人文活动中的自我对话,即所谓以今论古、借古通今。在这一过程中,有对古人历史境遇的同情与理解,也有对历史的辨析与反驳。本期刊发韩刚《王维〈山水论〉非伪托考》,作者采用“知人论世”法,通过对当时画苑具体语境与王维绘画活动的分析,认为《山水论》为王维所作培训“画工”之着色山水画教程,从而在很大程度上解决了这一学术公案。邱志文《简化用笔:书法流变中一个值得研究的问题——兼及赵孟頫书法之意义》,通过对用笔历史的梳理,举例分析了简化用笔的代表性书家陆机、怀素、朱耷、伊秉绶、弘一等,揭示了简化用笔的动因,指出简化用笔的实质是借“返朴”以“归真”。 Our understanding of history has developed along with the development of the times. We know the ancients in history and know ourselves. The actual situation in our own history helps us to interpret history. At the end of the day, this is the self-dialogue in human activities. The so-called Today on ancient, by ancient pass this. In this process, there is sympathy and understanding of the historical circumstances of the ancients, as well as discrimination and refutation of history. In this issue, Han Gang’s “Non-Pseudo-examination of Wang Wei’s Landscape Theory” was published. Based on the analysis of the specific context of the painting court and the painting activities of Wang Wei at that time, the author holds that “landscape theory” For Wang Wei training “Painter ” coloring landscape painting tutorial, which to a large extent solved this academic case. Qiu Zhiwen “Simplify the use of the pen: a calligraphic rhetorical question worthy of study - and Zhao Mengbei calligraphy meaning”, by combing with the history of the pen, an example analysis of the simplified pen of the representative book writer Lu Ji, Huai Su , Zhu Rong, Yi Bingshou, Hong Yi et al., Revealed the motivation for simplifying the use of the pen, and pointed out that the essence of the simplified pen is borrowed from the “return to the original” to “true”.