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民初骈体小说创作繁盛的原因可以归结为四个方面:社会境遇方面,民国初年的政治文化环境使部分作家在失望之余沉浸于吟风弄月,他们选择骈体小说表现自己的情感体验;文学教育方面,清末民初的骈文教育和创作为骈体小说的创作和接受储备了潜在的作者和读者;创作实践方面,在文人心态的作用下,以徐枕亚为代表的一批作家将自己的生命情感融入创作之中,运用缠绵回环的语言体式构筑了富有感染力的文学世界,促成了创作和接受的良性互动;语言体式和美学品格方面,骈体小说特殊的语体建构了一种诗化小说的美学品格,满足了作者和读者的审美需求。
In the early days of the Republic of China, the political and cultural environment caused some writers to indulge themselves in Yinfeng in their disappointment. They chose to reveal their own emotional experience in body novels. On the other hand, Literary education, education and creation of prose at the end of the Qing Dynasty and the beginning of the Republic of China have reserved potential authors and readers for the creation and reception of novels. In terms of writing practice, under the influence of literati mentality, a group of writers, represented by Xu Zhenya, Life emotion into the creation, the use of the language of the looping loop style to build a contagious world of literature, contributed to the positive interaction between creation and acceptance; language style and aesthetics, the genre, the body of a particular style of language to construct a poem Aesthetics of fiction novels, to meet the aesthetic needs of the author and reader.