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在中国文化发展史上,庄子是第一个自觉地探寻主体精神创造活动的条件及特质的人。他以“吾生也有涯,而知也无涯”(《庄子·养生主》,以下凡引《庄子》只注篇名)的严谨治学态度,终生探索“形而上”的天道奥秘,但是,强调人和自然无比亲和关系的朴素唯物主义自然观。“物物而不物于物”(《山木》)的“无待”通达人生观及“判天地之美,析万物之理”(《天下》)的理想追求,却成就了其艺术性的人生,为后人的艺术创造活动积累了丰富的可资借鉴的历史经验,开拓了中国艺术精神的先河。本文旨在探讨庄子论主体艺术创造活动的社会条件和主观素质,谬误之处,请方家指正。
In the history of the development of Chinese culture, Chuang Tzu was the first person to conscientiously explore the conditions and qualities of the main spiritual activities. With the rigorous academic attitude of “My Life Is Endless and Knowledge knows no boundaries” (“Zhuangzi Regimen Master”, the following is quoted as “Zhuangzi”), he always tries to explore the mystery of heavenly metaphysics. However, Simple natural materialistic view of nature with incomparable affinity for nature. The ideal pursuit of “No Waiting for” accessible life concept of “Objects without Objects” (“Mountain Wood”) and “The Beauty of Heaven and Earth, The Reason of All Things” (“The World”) has achieved its artistic life, For future generations of art creation activities has accumulated rich experience to learn from, and opened up the precedent for the Chinese artistic spirit. The purpose of this paper is to explore the social conditions and subjective qualities and fallacies of Chuang Tzu ’s main artistic creation, and ask Fang to correct it.