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本文结合全球化视角考察《三体》的乌托邦性质:《三体》以其科学表达中潜藏的对宇宙的“终极关切”导出了用规律本身建构的终极乌托邦,这一乌托邦空间作为积极的整体性想象,将“人的位置”和“人的目的”统一起来,在世界/宇宙中标示了我们的存在;刘慈欣通过《三体》核心设定的生存—科学—宇宙三重逻辑将宇宙“人类”化,由于“人类”已在“终极关切”状态下为宇宙所标示,使得《三体》所呈现的宇宙与人类不再是主客二元关系,而是界限消融又互相生成的整体性存在。刘慈欣由此召唤出了“宇宙中的人”。《三体》的“宇宙—人类”装置与黄金时代的“人类整体观”及全球化体系中的边缘位置有着密切关联,它最终以均质全球化的想象构成了对当前全球化形态的替代与反动。
This article examines the utopian nature of the “three bodies” from the perspective of globalization. The “three bodies” derive the ultimate utopia constructed by law itself with its “ultimate concern” of the universe lurked in its scientific expression. This utopian space is taken as a positive The Unity Imagination of “People’s Place” and “Human’s Purpose” Marked Our Existence in the World / Universe; Liu Cixin’s Survival - Science - Universe Set by the “Three-Body” The triple logic marks the cosmos as “the human being” in the “ultimate concern” state of the universe, so that the universe and mankind presented by the “three-body” are no longer the binary relationship between subject and object , But the whole existence of boundary melting and mutual generation. Liu Cixin thus summoned “people in the universe.” The “three-body” “cosmic-human” device is closely linked with the “human whole view” in the golden age and the marginalized position in the globalized system. It finally forms the image of the current global The Replacement and Reaction of Morphology.