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安妮·勃朗特的小说《女房客》因女主角日记的嵌入而一分为二,造成小说结构的断裂。小说的这一弊病饱受批评,同时也不断引发争议。但这看似笨拙的结构正是小说权力话语关系全面展开的基础。在此基础上,小说、作者和真实读者被纳入小说建构的世界,在小说与历史、理想与现实的权力话语网中激烈碰撞,为解读小说、挖掘小说的深层内涵提供了新的视角。
Anne Bronte’s novel “The Female Guests” is split into two due to the diva of the heroine, resulting in the breakdown of the structure of the novel. The shortcomings of the novel have been criticized, but also continue to cause controversy. However, this seemingly clumsy structure is precisely the basis for the comprehensive development of the power discourse in novels. On this basis, novels, authors and real readers are incorporated into the world of novel construction, and collide violently in the discourse of power of novels and history, ideal and reality, which provides a new perspective for reading novels and exploring the deep connotation of novels.