看过《花样年华》后,总是试图寻找、组织一种理性的语言从电影文本自身去解读她,但始终不能,也许是中文出身的缘故,我关注的焦点并不在于王家卫镜头语言风格的转变——一种静默观察的视角、固定摄影、营造场面气氛等等,而总是着迷于人物自身困境的一筹莫展,周遭纷繁嘈杂,不要小看,遮住一切,决定自己。“我”,”我们”,“我们大 After I’ve seen Mood for Love, I always try to find and organize a rational language to interpret her from the movie text itself, but I can not, perhaps, be the origin of Chinese. My focus is not on Wong Kar-Wai’s style of lens language Change - a silent observation perspective, fixed photography, create a scene atmosphere, etc., and always fascinated by the predicament of the characters do nothing, surrounded by numerous noisy, do not underestimate, cover up everything, decide themselves. “I”, “we”, "we are big