中国画中的人物之难,大略有三:难之一——形。画人物的,无论立意如何,总离不开造型这一关,若再不甘平平依旧,想求变求好,更当以造型为先,立一定之形意,造一定之形相。可是,看到的,不尽画得到,想到的,不尽画得出,手忙脚乱,形不得出,是难。难之二——形。以人物入画不可遗人之神,形在神离,实为无形。不过,无论“以形写神”或是“以神写形”,终少不了形,形呈画间,应该是能体现神气的活形,而两者天衣无缝之 The difficulty of characters in Chinese painting, roughly three: one of the difficult - shape. Painting characters, no matter what the intention, always inseparable from the modeling of this off, if unwilling to remain flat, want to seek change, but also when modeling first, the legislation must be certain, make a certain shape. However, to see, not to draw, think of, do not draw draw, confused, can not be shaped, is difficult. Difficult second - shape. In order to character into the painting can not afford to God, form in God, it is virtually invisible. However, no matter “to describe God” or “to write with God”, ultimately the form and shape of the painting room should be the vivid form that can reflect the spirit, and the two are totally seamless