小说某种程度上跟歌手的嗓音一样,好的小说必须具备一定的辨识度。这个辨识度可以是区别于其他作者的叙事味道,也可以是作品呈现出来的开阔性和丰富性,当然也可以是文本体现出来的独特的世界观和价值观。这里,我不得不提到加西亚·马尔克斯,他就是这个领域的杰出代表,他的小说本身叙事就极富腔调,除了《百年孤独》那著名的开头以外,他的《枯枝败叶》《没有人给他写信的上校》《一桩事先张扬的谋杀案》《霍乱时期 The novel, to some extent, is like the singer’s voice, and a good novel must have some degree of recognition. This recognition can be distinguished from the narrative taste of other authors, as well as the openness and richness presented by the works, and of course can also be the unique worldview and values ​​embodied in the text. Here, I have to mention García Márquez, an outstanding representative in this field. His novels themselves are extremely narrative. Apart from the famous beginning of “One Hundred Years of Solitude,” his “twigs and leaves” “No one wrote him a letter to Colonel” “a premeditated murder” "during the cholera