中国人物画自二十世纪初开始,在先贤们的积极引领下,给过于文弱、孤芳自赏的文人画以巨大的观念冲击,在发掘生活中的动人之处显现出了前所未有的表现力。水墨人物画家黄羡重技法,更重人性的表现。他从书斋观赏艺术中走进生活绘画,善于从生活中发现美。他的水墨人物画循乎自然,氤氲万象,清丽婉约,怡人心致,在视觉上和心灵上都深深吸引并打动着观众。 Since the beginning of the twentieth century, Chinese figure paintings have taken an unprecedented impact on the moving of the literati painting, which is too weaker and more solitary than ever before, with the positive guidance of the sages. Huang Xian, an ink painter, focuses on techniques and emphasizes human nature. He went to study life from the study of fast food, good at discovering beauty from his life. His ink and wash figures follow the natural, all-rounder, elegant and graceful, pleasant, both visually and psychologically deeply attracted and impressed the audience.