严双寿先生步入艺术殿堂是从西画入手的,他以前苏联《星火》杂志的插图、画页为范本,同时对叶浅予,李可染,黄胄、关良等的作品也情有独钟,从小小少年到花甲之年,笔耕不缀。文革中西画吃得开,大到毛主席像,小到餐馆、菜场的装饰画他也能拿得出手,经常在报刊杂志发表插图装饰之类作品。水墨无言,他凭 Mr. Yan Shuishou into the art hall is started from the Western painting, he former Soviet Union “Spark” magazine illustrations, pages as a template, at the same time on Ye Qian Yu, Li Ke, Huang Zhi, Guan Liang and other works have a soft spot for children, young and old To the year of the flower, writing pendent. During the Cultural Revolution, Chinese and Western paintings were eaten up, ranging from Chairman Mao to small restaurants and decorative paintings of farms. He was also able to take shots and often publish works of illustration in newspapers and magazines. Ink silent, he with