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元代书法,无论是书法观念、书法实践还是书法教育,均弥漫着浓厚的复古气息。以赵孟为代表倡导的托古改制,改变了南宋以来相对萎靡的书风,使书法回归到正统的帖学范畴——王羲之书法体系。作为元代书坛的领袖人物,赵孟得到朝野上下书法家的崇拜与效仿。其效仿者占据了元代主流书坛,郭畀即是其中的一位。郭畀(1301-1355年),字天锡,号云山,江苏京口(今属镇江)
Yuan Dynasty calligraphy, both calligraphy concepts, calligraphy practice or calligraphy, are filled with a strong retro atmosphere. The Tuogu reform, advocated by Zhao Meng as the representative, changed the relatively sluggish style of writing since the Southern Song Dynasty, and returned the calligraphy to the formal category of calligraphy: Wang Xizhi\'s calligraphy system. As the leader of the Yuan Dynasty calligrapher, Zhao Meng won the worship and emulation of the calligraphers in the government and the public. The imitation of the Yuan Dynasty mainstream writers occupy the book, Guo Kui is one of them. Guo Kui (1301 - 1355), the word Tin, Yunshan, Jiangsu Jingkou (now Zhenjiang)