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鲁迅的众多作品里我独爱的是收归于彷徨集里的《长明灯》,因为它给了我太多疑问、太多回答。暂且不争论它到底是属于现实主义作品还是象征主义作品,就单其小说构造来说,比起1918年4月的《狂人日记》更加凸显其身陷文化重复困境中的深思以及对“先驱者”这一内涵的时代定义。作品字字珠玑,每读一次后就发现自己好似一个木讷的小孩,一遍又一遍的寻找着、拾掇着大师有意散落下的思想玩具,不得不让我们这些小辈心怵汗颜,谦谨行文。现在我就来浅谈一下我对《长明灯》一文精彩之处的缕缕拙见。
My only love in Lu Xun’s many works is the “long lantern” which is collected in the fictional collection because it gives me too many questions and too many answers. For the time being it is not debatable whether it is a realism or a symbolism. In terms of structure of its novels, it is more evident than the “Madman’s Diary” of April 1918, which highlights its deep contemplation of being trapped in cultural repetition, Who "the definition of the meaning of the times. Works every word Abasidan, each read once found himself as a stiff child, over and over again looking for, picking up the master deliberately scattered thought toys, had to make us junior shame, modest language. Now I will come to talk about my clumsy vision of the bright lights.