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在西方20世纪纷繁复杂的现代哲学、美学流派中,马克思主义哲学及其体系下的美学理论无疑占据了十分重要的地位,在音乐理论领域中也是如此。20世纪的许多音乐史学家、美学家都或多或少受到了马克思主义学说的影响,例如他们都普遍注重社会、历史环境因素之于音乐现象、音乐史实的重要作用与意义。在这些学者中真正以马克思主义基本原理作为立足点,全面地探讨音乐本质问题,从而形成系统的马克思主义音乐美学理论的音乐美学家,主要集中在当时的苏联、中欧等社会主义国家,其中以苏联音乐学家克列姆辽夫和波兰音乐学家卓菲娅·丽莎为代表。本文所要介绍的则是另一位同样重要的马克思主义音乐美学家——恩·迈耶尔。
In the complicated and complicated modern philosophical and aesthetical schools of the 20th century in the West, the Marxist philosophy and the aesthetic theory under its system undoubtedly occupy a very important position, as well as in the field of music theory. Many music historians and estheticians in the 20th century were more or less influenced by the Marxist theory. For example, they all pay great attention to the important role and significance of social and historical environmental factors in music phenomena and historical music. In these scholars, the basic theory of Marxism is taken as the foothold, the comprehensive study of the nature of music and the formation of a systematic musical aestheticist of Marxist music aesthetics are mainly concentrated in the then Soviet Union, Central Europe and other socialist countries. Among them, Soviet musicologist Klim Lloof and Polish musicologist Zhuofia Lisa as the representative. This article is to introduce another equally important Marxist music esthetician - Meyer Meyer.