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李世嵘是兰州人,是我相识多年的朋友,住在离西关十字不远的一条巷子里。四十年前我在兰州工作的时候,常常背着画箱在那些巷子里转来转去,寻找可画的角度。那些黄土墙上刷着一层白灰,时有斑驳脱落,余晕斜照,反而很入画的。不久前在南京看到吕斯百先生在兰州时画的油画,有早被拆掉的卧桥和正在修建中的第二座黄河大桥,阳光下的黄土地勾起我深深的回忆。这
Li Shirong is Lanzhou, is a friend I have known for many years, living in an alley not far from the Xizang cross. Forty years ago, when I was working in Lanzhou, I often carried my paintings in the alleyways and looked for a drawable perspective. Those loess wall brushing a layer of white ash, when the mottled off, stunned Ishizu, but very into the painting. Not long ago in Nanjing, when I saw the paintings by Mr. Lüsebai in Lanzhou, there were the ancient bridge which was torn down and the second bridge under construction in the Yellow River under construction. The deep yellow soil in the sun aroused my deep memories. This