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德彪西是西方音乐史上公认的20世纪新音乐的开创者。他的24首前奏曲创作于最能代表其个人风格的成熟时期。他的音乐语言精致而直接,也最能代表其钢琴音乐的技艺。并足以体现德彪西的音乐与当时印象主义绘画与象征主义诗歌之间的关系。本文从德彪西24首前奏曲的创作渊源出发论及作曲要素中的旋律、和声、曲式结构,同时根据24首前奏曲的分析,肯定他在西方音乐史上的重要性。
Debussy is a founding member of the new 20th century music in Western music history. His 24 prelude creations are the most mature of his personal style. His musical language is refined and direct, and most representative of his piano music skills. And enough to show the relationship between Debussy’s music and the Impressionist painting and symbolism poetry. Based on the origins of 24 prelude to Debussy, this essay discusses melody, harmony and form structure in composition elements. At the same time, this article affirms his importance in the history of western music based on the analysis of 24 prelude.