论文部分内容阅读
翻阅乔十光先生的《谈漆论画》(人民美术出版社2003年出版),其中有一篇《君子和而不同——记张仃与吴冠中两位老师1975年的一次对话》,给我带来意外的惊喜。乔十光是中央工艺美院装潢系56级学生,毕业后留校任教,如今已是漆画大家。作为一位艺术有心人,他为后人留下了一份生动的历史文献,对于了解“文革”后期中国的文艺形势和艺术精英们的精神动向很有参考价
Turning to Qiao Zhaoguang’s “Paintings on Paintings” (People’s Fine Arts Publishing House, 2003), there is an article called “The Gentleman and the Difference - A Dialogue Between Zhang Tainting and Wu Guanzhong’s Two Professors in 1975” that brought me an accident Surprise. Qiao Shuguang is a 56-member student of the Central Academy of Art and Design. After graduation, he stayed in school and taught now. As a dedicated artist, he left a vivid historical document for his descendants, a reference price for understanding the literary and artistic situation in China and the spiritual movements of the art elites in the late “Cultural Revolution”