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女性艺术家对于花卉的描述,“有时候她并不见得以那种方式看到,只是做记录而已,这就像库尔贝有一回说并不知道自己在画什么,只是记录着一大堆柴薪,他就只是把看到的东西画下来,直到笔触自动发展出自己的模样。”1这就是艺术运行的自由轨迹。艺术是人学,作品的价值往往决定于艺术家的自身价值,而艺术家的个性特征往往在其艺术作品上留有深刻的印痕——这种印痕通过对自然的模仿,被赋予一种共同观念性语言,投射在作品的形式语言中,就成了风格。我们通过这些花卉图像发现艺术家的风格,进而发现人格,以及人格层面之下的某种社会映像、性别心理和价值取向。
A description of flowers by a female artist, "Sometimes she does not have to see it in that way, it’s just a memo, it’s like Courbet once did not know what he was painting, just a bunch of firewood , He just painted what he saw until the brush strokes automatically developed his own appearance.1 This is the free trajectory of artistic operation. Art is human learning. The value of a work often depends on the artist’s own value. However, the individual character of an artist often leaves a deep impression on his works of art. This impression is given a common concept through the imitation of nature Language, projected in the formal language of a work, becomes a style. Through these floral images, we discover the style of the artist, and then find out the personality, as well as some social image, gender psychology and value orientation under the personality level.