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19世纪欧洲探险家记载了中亚布哈拉古城外,沙丘中曾有宫殿和大量宝藏。1946—1954年锡斯金考古队在那里发掘出了瓦拉赫沙宫殿,1963年发表了考古发掘报告。作者1986—1991年参加了宫殿壁画的整体搬迁工作。本文重新解读了瓦拉赫沙壁画:其一,辨明了瓦拉赫沙宫殿初建于689—709年之间,建造人神秘的昆纳克可汗是来自邻近垡地国的篡位者。其二,宫殿第二期是由童格沙达王子建造于709—719年之间,留下了《圣火崇拜》的壁画。其三,宫殿第三期有著名的“骑象猎豹”红厅壁画,属于童格沙达王子执政后期(约730—738年)。骑象猎豹人物,可能是骑大象的拜火教大神阿克巴,或者“四国四天子”传说中的南方印度天子大象王,作者则判定是骑象普贤菩萨,并且受唐朝艺术风格影响。
19th-century European explorers chronicled outside the ancient city of Bukhara in Central Asia, where there were palaces and treasures in the sand dunes. From 1946 to 1954, Siskinen’s archaeological team excavated the palace of Varahshah there and published an archaeological excavation report in 1963. Author 1986-1991 participated in the overall relocation of palace murals. This article reinterprets the Varachsha murals. First, it identifies the palace of Varahshah, which was first built between 689 and 709, and the mysterious Khenak Khan as a usurper from neighboring countries. Second, the second phase of the palace was built by Prince Gosselta between 709 and 719 years ago, leaving behind the frescoes of “Holy Worship”. Thirdly, the third phase of the palace has a famous “riding like a cheetah,” Red Chamber murals, belonging to the late Prince George Sogha (about 730-738). Like a cheetah, you may ride the elephant to worship the god Aqaba, or the legendary southern Indian king-elephant king, who is judged to be riding the Samantabhadra and is influenced by the art of the Tang Dynasty Style effects.