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针对思想界和设计界的现状,文章提出设计师需要重新发现儒学中的审美和设计思想,并作为设计的创新来源。为了论证这个观点,文章着力于处理几个问题:审美混乱是否是一个需要解决的问题;审美混乱可否理解为审美的多样性;如果稀奇古怪的审美有其市场,是否可以任其发展;媚洋和求怪是否有必然联系;如果审美混乱是一个需要解决的问题,那么如何解决。不过,当现代人已经习惯西方的思考方式时,要转向中国儒学去寻找智慧,其阻力是巨大的。因此,文章通过论述消除读者对儒学的成见,以及对西式现代思想的盲目崇拜,从而使重新发现儒学中的设计思想成为可能。
In view of the current situation in the field of thought and design, the article proposes that designers need to rediscover the aesthetic and design ideas in Confucianism and serve as an innovative source of design. In order to demonstrate this point of view, the article focuses on several issues: whether the aesthetic disorder is a problem to be solved; whether the aesthetic disorder can be understood as the diversity of the aesthetic; if the weird aesthetic aesthetic has its own market, And whether there is a necessary relationship between seeking strangeness; if aesthetic disorder is a problem that needs to be solved, then how to solve it? However, when the modern people are accustomed to the Western way of thinking, the resistance to turning to Chinese Confucianism for wisdom is huge. Therefore, this article makes it possible to rediscover the design idea in Confucianism through the discussion of eliminating the reader’s prejudice towards Confucianism and the blind worship of the Western modern thought.