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国家级扶贫的一个革命老区县,其首批国家级“非遗”代表作“道情皮影”红火不衰,足显其“文化遗产”的不菲。物质极度贫困,又何以保存、传承了传统民间文化的丰富?本文据近年数次田野工作,对所观察到的这一“事象”的生态与文化植被、生存与生活态度、神灵与人的谋略和智慧等,思考、描述,期以引发今天的我们对民俗学与人类学某些问题的联想,以挖掘一种深远意义的表述。
One of the first revolutionary old districts and counties to alleviate poverty at the national level is the first batch of national-level “non-heritage” masterpieces, “the moral shadow of the country”, which shows their “cultural heritage” without exception. According to several field work in recent years, this paper analyzes the ecological and cultural vegetation, the attitude of survival and life, the gods and people observed by this “phenomenon” Strategy and wisdom, thinking, describing, and so on to arouse today’s our association with some issues of folklore and anthropology in order to find a far-reaching statement.