吴天明导演遗作《百鸟朝凤》是一部充满情怀又感人至深的影片。片中所展现的唢呐老匠人面对自己穷其一生追随和热爱的事业,逐渐走向衰败时的无力无助,以及内心无限的悲凉,令笔者感同身受。对于如影片描述相同境遇的辽宁鼓乐,也同样处于日渐式微的窘境。所幸,借助非遗数字化保护的平台,得以得到抢救性记录和妥善保存。可见非遗数字化是非遗保护的有效手段和必然趋势和要求,需要系统化、专业化、常态化地持续开展。 Director Wu Tianming left posthumous “Bird” is a full of feelings and moving film. The suona old craftsmen showed in the film the face of their own poverty to follow and love the cause of gradual decline to helplessness, as well as the infinite inner sadness, so I feel empathy. Liaoning Drum Music, as the film describes the same situation, is also in a dwindling position. Fortunately, with the aid of digital protection platform, to be salvaged records and properly preserved. It can be seen that non-digital digitization is an effective means and inevitable trend and requirement for non-environmental protection, and needs to be systematized, specialized and normalized continuously.