本文通过事关清代(1644—1894年间)朝鲜《燕行录》的存世数量,说明韩国学界提出的燕行学研究的重要性。在这些燕行使著中,真实生动、内容全面的看戏观感是其一大热点,为此,笔者以金昌业、洪大容、朴趾源、徐浩修、金景善、李遇骏、李商凤等十余名朝鲜使节、学者的动人著录为例,进而从时间、内容、思想认识和“厌清思明”产生的原因等方面,对其“爱戏”现象进行了较为深入的分析,提出自已的一得之见。 This article illustrates the importance of the study of Yan-Hang studies proposed by Korean scholars in the Qing Dynasty (1644-1944). In the exercise of these swallows, the real, vivid and full-scale look and feel of the opera is one of the hot spots. For this reason, the author used more than 10 Korean envoys, including Kim Chang Yeong, Hung Tae-Jung, Pu Zhiyuan, Xu Haoxiu, Jin Jing Shan, Li Yujun and Li Shangfeng, Scholar’s touching record as an example, and then from the aspects of time, content, ideological understanding and the reason of “dislike clearness” and so on, carries on a more in-depth analysis of his “love drama” phenomenon, puts forward his own one Got it.