长久以来,“创新”在音乐创作中被认为是对于历史与传统的最好继承,它往往意味着新技法的大量运用或是突破传统界限的新思维的发展。在各种创新音乐盛行的20世纪,现代音乐作曲家们力求摆脱传统技法的限制与束缚,致力于新技法的发展与运用。兴德米特正是这样一位致力于突破传统局限,将新思维、新技法运用于音乐创作中,又在创作实践中不断进行开拓,完善其技术创新体系的20世纪作曲家。他于20世纪30年代出版了理论著作《作曲技法》(共三卷),著 For a long time, “innovation ” was considered as the best inheritance for history and tradition in music creation. It often meant the extensive use of new techniques or the development of new thinking that broke through the traditional boundaries. In the 20th century when all kinds of innovative music prevailed, modern music composers sought to get out of the limitations and restrictions of traditional techniques and devoted themselves to the development and application of new techniques. Xing Demitt is such a 20th century composer who is committed to breaking through the traditional limitations, applying new thinking and new techniques to music creation, and continuously developing and improving his technological innovation system in his creative practice. In the 1930s, he published the theoretical book Composer Techniques (three volumes in total)