在书法诸体中,草书无疑是最具抽象性和抒情性的书体,而狂草又是其极致。就抽象性而言,书法虽不是再现自然的艺术,但在古代书论中,关于书法字形字势的喻物描写比比皆是,如“若虫食木叶,若利剑长戈,若强弓硬矢”之类,书法是感知自然生命形式的中介。这意味着,对书法家而言,他笔下的一点一画,都应呈现某种造型的意象。在草书特别是狂草中,由于汉字的 Among all the calligraphic scriptures, cursive books are undoubtedly the most abstract and lyric books, while the cursive is the ultimate. In terms of abstraction, although calligraphy is not the art of reproducing nature, in ancient calligraphy, the description of the figurative objects of calligraphic glyphs is everywhere, as in “nymphs, Bow rigid vector ”and the like, calligraphy is an intermediary to perceive natural life forms. This means that for a calligrapher, his paintings, one by one, should have some stylistic image. In the cursive especially madao, due to the Chinese characters