如果说羁旅的孤独感是因为颠沛流离,那么离群索居的山林田园生活就是更本真的孤独存在。在中国山水人物画中,“杖”是一个经常出现的图像。不管是曳杖而行、跋涉于山林的隐士,还是云游四方的罗汉高僧,抑或不辱使命的持节使者,他们都喜爱用杖来标举自己的精神持守。可以说在中国传统士人精神的象征物中,杖有着独特而高贵的地位。杖的最初功能是助人行走、荷负行李,是老病者、跋涉者的用具。后来,这种辅助功 If the sense of loneliness is due to wandering, then loneliness living in the mountains and the pastoral life is more real loneliness. In Chinese landscape painting, “stick ” is a recurring image. Whether it’s a walking stick, a hermit on a trek in the mountains, or a monk of Lohan who travels around the globe, or a messenger of ambassadors who love their mission, they all like to use sticks to mark their own spirit. It can be said that in the traditional Chinese intellectuals, the staff has a unique and noble status. The original function of the stick is to help walking, load luggage, is the old sick, trekkers’ appliances. Later, this ancillary work