(一) 改革的时代,中国画坛也很闹热。画展频频举办,画廊比比皆是。然而,我们漫步其间,能引起内心抑制不住的艺术喜悦的却不多。对于那些泥古不化的作品,我们敬而远之。因为当代人实在没有多少雅兴,去流连于冷落衰败的古宅。对于有些光怪陆离的所谓新潮作品,我们同样提不起精神。我们赔不起太多的时间,去猜那怪诞的谜语;更犯不着装模作样,去赞美“皇帝的新衣”。 (A) The era of reform, Chinese painting is also very hot. Paintings are held frequently, galleries abound. However, while we are walking there, there is not much joy of art that can cause an unrestrained heart. For those ancient works of mud, we stay at arm’s length. Because contemporary people really do not have much Masamune, to hang around in the decadent decline of the old house. For some bizarre so-called trendy new works, we can not mention the same spirit. We can not afford to pay too much time to guess that ridiculous riddle; more can not afford to pretend to praise the “Emperor’s new clothes.”