论文部分内容阅读
随着经济文化的进一步发展,中国文化与现代设计比例在加重。汉字在逐步完善的使用功能和表意功能同时,其本身的多样化图形样式逐渐消解,经过不断的努力,汉字成熟到可以归纳成笔画和间架结构的形体了。在文字信息时代,这样的汉字承载着信息并兼顾到阅读的时效性,无疑是适应社会发展的。但在设计文化快速发展的今天和读图时代的必然选择,图形再次成为信息快速传递的先锋,于是,汉字的某些作用在一定程度上又必然回归其图形化的视觉功能上了。
With the further development of economy and culture, the proportion of Chinese culture and modern design is getting worse. Chinese characters gradually improve the use of functions and ideographic functions at the same time, its own diversified graphic style gradually digestion, through continuous efforts, Chinese characters mature into the strokes and can be summed up as the structure of the frame structure. In the era of text information, such Chinese characters carry the information and take into account the timeliness of reading, no doubt adapt to social development. However, in the days of rapid development of design culture and the inevitable choice of the time of reading pictures, graphics have once again become the vanguard of rapid transmission of information. Therefore, some functions of Chinese characters must return to their visual function of graphics in a certain extent.