时尚文化有精品也有垃圾,时尚小说有经典也有泡沫,《上海宝贝》和《乌鸦》因其人格精神和情爱精神的双重缺失,在昙花一现般的流行后迅疾成为人们不愿检拾的文学垃圾。《三重门》和《正在发育》所代表的低龄化写作倾向,其正负面影响不容忽视,年幼作者在作品中丧失自我,丧失童真,表达与生活积累发生严重错位,此类问题尤为值得关注。 Fashion culture has fine products and junk, while classic novels also have bubbles. “Shanghai Baby” and “Crow” have quickly become literary trash people do not want to pick up because of the double absence of their personality spirit and love spirit. The tendency of younger writers, represented by “Triple Door” and “Being Developed”, can not be neglected. The young writers should lose their self, lose their innocence and express their serious misplaces in their works. Such problems deserve particular attention .