华语电影研究中最重要的论题之一,就是对于“华语电影”这个日益扩展的领域的研究对象问题。在过去几年中,周蕾、张英进等学者在其文化理论著作中都力图勾勒“华语”(Chinese)这一名词涵盖的各种经济、政治和社会特征。而目前,熟悉内地、香港台湾两岸三地华语电影风景的学者,也都开始把注意力转向了一个本该早被关注的问题:究竟何为“华语电影”? One of the most important topics in the study of Chinese cinema is the issue of the research object in the increasingly expanding field of “Chinese Cinema.” In the past few years, scholars such as Zhou Lei and Zhang Yingjin sought to outline the various economic, political and social features covered by the term Chinese. At present, scholars familiar with the scenery of Chinese films in the Mainland and Hong Kong, Taiwan and Taiwan are beginning to turn their attention to the issue that has long been the subject of attention: what is a “Chinese movie”?