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残荷在中国传统文化和艺术世界具有超凡脱俗的价值,在它残缺的表象下潜藏了“真空妙有”的美学张力,并隐喻着“不著不染”的宗教意味。当审美主体对残荷进行法眼内视的美学观照,便能发现它既应和着无常残缺的生命共感,又象征着生住异灭的时空幻化。以荷诠佛,以禅弥缺,由清净心和出离心妙悟荷之残缺色相之外的韵致,寂而常照地超越至清凉净界,通过诗心禅韵的艺术处理和宗教升华,渐入洗净铅华、朴拙清寂的审美臻境。
The remnants of traditional Chinese culture and the world of art have the value of being extravagant and refined. Under its imperceptible appearance, the remnants of the remnants of Hong Kong have hidden the aesthetical tension of “realism in the vacuum” and metaphorically implied the religious meaning of “indiscriminate”. When the aesthetic subject observes the aesthetics of the residual eyeball, we can find that it should share the sense of impermanence with life and the spatiotemporal transformation of life and death. To He Quan, with Zen Mi lack, from pure heart and out of mind Miao Wu Chun incomplete color beyond the rhyme, silence and often beyond to cool the net, through the art of poetry and Zen Buddhist religious sublimation, Gradually wash the lead, simple and elegant aesthetic experience.